Retro Review: Rules of Engagement

Another military court room thriller oozing with a headline type story. Sounds awesome or does it?

“Rules of Engagement” tells the story of Col. Terry Childers (Samuel L Jackson) who is faced with murder when he commands a company of marines to open fire on a city square filled with civilians.

To aid him he asks long-time friend and fellow Vietnam vet Col. Hayes Hodges (Tommy Lee Jones) to defend him.

“Rules of Engagement” brings all the elements for a great story to the first half of the film and it’s a great setup. This is what makes “Rules of Engagement” so disappointing.

The screenwriter is writing his first actual credited screenplay which could be where this film falls finds its ineffective dialogue.

Through the second half, Jones’ character was quoted as saying “we have no evidence to exonerate my client but if we just had that tape maybe we would”. If this is the best line an attorney can come up with then you know this guy’s goose is cooked. As the trial drags on it comes down to last witness.

It’s a great Hollywood setup but as Jones cross examines the witness all he says is “yes” and then within two seconds we have a verdict. It was so infuriating to see something like this die so quickly. When the last two hours have lead to this. And to top it all off wait till you see the final salute that is the sickest of all.

Why could the screenwriter breathe some originality into the final scenes? Why didn’t we see the destruction of politician who set Jackson up? And on what planet did they think Jones had won his case?

Jackson and Jones are bored through most of the film. Jackson is playing a lot of his frustration scenes the exact same way he did in “A Time to Kill” .

If you take away the last 30-35 minutes of this picture you have an interesting film. But my all time favorite quote from the film is “If that Colonel was Yemenis and had shot 83 Americans. There would be no trial. He’d be executed no questions asked.”

(2 out of 5)

So Says the Soothsayer.

Retro Review: The Constant Gardener

How much would you give up for what you believe in?

Furthermore, how much would you give up for the one you love?

These are some of the questions pondered in the political thriller “The Constant Gardner” based on the novel by John LeCarre.

“The Constant Gardner” stars Ralph Fiennes Justin Quayle as a diplomat who is working for the British consulate in Northern Kenya.

His wife Tessa (Rachel Weisz) is an activist and heavily involved with the struggle of Kenya’s less fortunate.

When Tessa ends up dead, Justin must push aside his remorse and uncover the truth to what happened to the woman to whom he cherished more than life itself.

His quest could destroy his reputation, and end his life but in some way it may also bring him the closest he has ever been to the one he loves.

I have to hand it to the Ralph Fiennes when he picks smaller projects he does know where to look. He is once again amazing as a man in way over his head as he uncovers the mystery that ended his wife’s life. Fiennes is so meticulous, smart and poignant in his portrayal of Quayle. I was so very captivated to how he was able to evolve the character through the film. It’s an amazing job.

When it comes Oscar time, I hope that the Academy doesn’t forget the wonderful performance from Rachel Weisz as Tessa. This is probably the best performance of her career and definitely Oscar worthy. She is so biting, determined and possessed with passion in the role. She is brilliant.

I also loved the raw feel of the film and how it was shot. The film’s direction by Fernando Meirelles reminded me some of a whole lot of different directors from Tony Scott to Phillip Noyce to David Lean. Especially when pertaining to the unique styles of Scott’s “Man on Fire”, Noyce’s “Rabbit Proof Fence” and Lean’s “Lawrence of Arabia”. All of those elements are there and it’s amazing to witness. There is so much passion, detail and raw intension in each frame that I haven’t seen on screen in years.

Then you have the richness of the conspiracy, the mystery and the multi-layered elements of the murder.

The mystery is almost Hitchcock in its conception.

I can see where some of the novel must have been trimmed but I can also see why. And here the film is so strong it really doesn’t matter.

There is so much to behold in this film and so much to cherish. It is utterly brilliant and hands down “The Constant Gardner” is one of the best films of the year.

(5 out of 5)

So Says the Soothsayer

Retro Review: Cider House Rules

The coming of age story of a orphan as he becomes faced with conflict between duty and exploration.

Based on the John Irving novel “The Cider House Rules” tells the story of orphan Homer Wells (Tobey Maguire) who is raised by orphanage doctor Wilbur Larch (Michael Caine).

Dr. Larch teaches Homer the magic of his craft. One day the orphanage is visited by a beautiful woman (Charlize Theron) and her GI boyfriend (Paul Rudd) this causes a dilemma for Homer. Does he really want to know what its like in the real world?

Another feeling Homer isn’t to sure about is his feelings for this woman. He decides to leave the orphanage in search of love and a new life.

“The Cider House Rules” is a feel good type film with an underlining of controversy. The controversy plagues a lot of mankind today. It being the abortion conflict between “Pro-Life” and “Pro-Choice”. Throughout most of the film, Maguire’s hero struggles with the morals of his mentor and exactly how will he approach that exact dilemma.

Without having read the novel, I am not sure what screenwriter/novelist John Irving left out of his novel but I found the story moving and interesting. Tobey Maguire delighted me with another hero role in the surprise of last year, “Pleasantville”.

That role and his in this film have a lot in common as they struggle with a decision that will vastly change each of their lives. Charlize Theron continues to find strong woman roles and juicy scripts as she hones her talent.

As for the chemistry between Maguire and Theron it is quite lacking and makes me think of a supermodel and a teen boy. Maguire’s depth never really fleshes out Homer as he seems to hide a lot of what is occurring within Homer.

What I did love in the film was the return of Michael Caine to a role he can be good at. He hasn’t had one since 1997 where he starred in two great roles. He played F.W. de Klerk in “Mandela and de Klerk” and Victor in “Blood and Wine”. The scenes with Caine were great.

(4 out of 5)

So Says the Soothsayer

Weird Wednesday: American Horror Story

By Brooke Stafford

Although this blog has been doing Weird Wednesdays for a while, it hasn’t truly been doing them as weirdly as AHS that has aired each Wednesday night on FX for the entire season.

FX’s new hit TV series debuted back in October and has become the network’s second biggest series after “Sons of Anarchy”.

The movie is sort of “The Amityville Horror” expanded and highly influenced by Twin Peaks.

The movie stars Connie Britton and Dylan McDermott as a married couple who move into a new LA home that has a twisted history.

Dylan is a psychiatrist who treats patients at home. Their marriage is on the rocks after Dylan’s infidelity with hottie Kate Mara.

Along for the ride are double Oscar winner Jessica Lange as a very disturbed neighbor who has known all the house’s previous owners.

Denis O’Hare plays a homeless man who is connected to the house. And these are just the tip of the iceberg of just how creepy this series gets.

Far from a horror movie condensed down to an hour format, it is a creepy investigation into the human psyche.

More particular, into the psyche of a dysfunctional family.

***WARNING SPOILERS***

The mother has become impregnated by odd circumstances, the dad is a psychologist with a wandering eye, and the teenage daughter is at odds with the entire world. There are also ghosts.

Loads of loads of ghosts in the house who appear to be alive but not everyone is privy to that information.

On the medical side, the pregnancy presents interesting problems. The twins are said to have heteropaternal superfecundation.

This is actually a real medical condition in which each twin has a different father.

Because genetic testing has brought so many answers, it is only now known that this is possible.

Heteropaternal superfecundation occurs when the mother has released multiple eggs in the cycle, has intercourse with two or more different partners during the course, and each egg is fertilized by a different father.

The condition can happen in as many as 2.4% of twin pregnancies, but the real number is not known as every set of twins is not tested for it.

Heteropaternal superfecundation also has a high chance of happening when used for in vitro fertilization.

Multiple specimens can be implanted into a uterus and possibly set up a scenario where twins from different fathers are delivered.

I just can’t wait for Season Two for all the weirdness to continue. What a ride this show has become.

**********

Brooke Stafford is a nursing practitioner student and also writes for Family Nurse Practitioner Degrees. The site helps students find the right nurse practitioner degree to fit their needs.

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Retro Review: Walk the Line

I can’t say that I am huge fan of Johnny Cash or overly familiar with his music. The man is a legend and the new biopic on his life hopes to keep that legend alive.

“Walk the Line” stars Joaquin Phoenix as the “man in black” and chronicles his life from early childhood through his rise of his music career and his eventual on-going love affair with June Carter (Reese Witherspoon).

The film delves into the childhood of the star with extra attention to the often troubled relationship between Cash and his father (Robert Patrick). The film also deals a lot with his early touring where he was featured alongside some of rock n roll’s greatest like Elvis Presley, Buddy Holly and Jerry Lee Lewis.

Phoenix is absolutely brilliant in the role and what makes his performance all the more amazing then that of other music bio-pic actors is that he also sings all his own music. It’s like Johnny Cash was projecting through him during some of his performances. Phoenix, I hope, will be remembered for his performance of Johnny Cash like Kurt Russell is for playing Elvis, Jake Busey for playing Buddy Holly and Dennis Quaid for playing Jerry Lee Lewis.

I was also really impressed with Witherspoon as the feisty, energetic, sexy and strong June Carter who seemed to be the foundation that kept Cash going even when they were fighting.

Both leads in this film deserve Oscar nods. I fear that since just last year Jamie Foxx won for Ray!, Phoenix may get passed over.

I also wonder if Witherspoon could get nominated in the supporting category opposed to the leading category.

“Walk the Line” is a superior film to Ray because it celebrates the rise, fall and recovery of Johnny Cash with more vigor and panache. The film also is more solid in its direction than that of Ray.

I really did love “Walk the Line” and it made me remember a lot of the classic musical bio-pics which I still love to this day. It has it all.

5 out of 5.

So Says the Soothsayer

Retro Review: Ali

We will learn what made him great and what made him probably the single greatest boxer to ever live.

That is what the advertising and publicity is saying for Michael Mann’s 3-hour opus to boxer Muhammad Ali. Should they be promising so much?

We enter Muhammad Ali’s (Will Smith) world before he is about to win the heavyweight championship of the world from boxer Sonny Liston (Michael Bentt).

Muhammad Ali (formerly Cassius Clay) is friends with Muslim propagandist Malcolm X (Mario Van Peebles) and is quickly becoming a symbol in the Black Muslim movement. We also begin to see a friendship beginning to develop between legendary sports caster Howard Cosell (Jon Voight) and the champ.

Michael Mann’s opus really never achieves greatness because of its strange structuring. The film starts off in what seems to be the “second era” of Ali’s life and not the first. This makes the film seem more like a sequel than perhaps an accurate depiction of what made this champion so great. Why did they start so late in the life of this man? Why was Ali so devoted to Islam? Why did he feel he had the right to force the practices of Islam onto his many wives? These questions are never fleshed out or fully exposed and that is a very large shame.

The film’s running time of almost 3-hours also hurts this bio-pic because we never feel sitting for that amount of time is justified because we never really learn anything new. Well, except for some unseen flaws in the mortality of this great man.

The film’s third act delves into one of the most famous of Ali’s fights. The fight known as the “Rumble in the Jungle” takes Ali to Africa to face power-hitter George Foreman in the classic face-off. This is still regarded as one of the greatest fights of all time. This whole portion of the film was utter boredom for me because of the amazing 1996 documentary called “When We Were Kings” which covered this whole portion of Ali’s life in amazing detail. The documentary followed Ali and Foreman through the training and into the great fight itself. It is an amazing documentary.

In a nearly 3-hour movie you would thing that there would be more positive to focus on. But really the performances seem to be the only one.

Will Smith is amazing as the champion personified and I am sure he will get an Oscar nod but probably not a win.

Jon Voight, for the second time this year, brings a classic person in history to flesh. His first was Roosevelt in last summer’s “Pearl Harbor”.

Voight’s transformation is amazing as Cosell if you didn’t know it was him you may think they brought Cosell back from the dead. I enjoyed a lot of the performances but those two for me were the jewels. The scenes where these two actors worked together were just that jewels. I loved the antics and friendship between these two.

There have been better films made about this legendary man but maybe Mann should have gone to his roots instead of straight to his boxing.

The fights are executed flawlessly and will be eye-candy to sports fans but the drama around them is dull and hard to follow since we have no real origin to follow so we can support Ali’s decisions.

Ali just plainly isn’t the great film it should be.

(3 out of 5)

So Says the Soothsayer.